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It's a generous collection, with a running time of nearly 75 minutes, and every track is a gem. The material dates from 1961 to 1964, omitting the more challenging later recordings and emphasizing the classic quartet formation with pianist McCoy Tyner, drummer Elvin Jones, and bassist Jimmy Garrison.
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This collection is drawn from Coltrane's Impulse years, the early '60s when he was the most powerful and influential voice in jazz. He recorded primarily for three labels in his decade-long stay at the forefront of jazz, whose vaults have yielded numerous best-of recordings in recent years and now two very-bests to commemorate the 75th year of his birth. John Coltrane is a much-anthologized artist. While this 2001 release is hardly the last word on Coltrane's legacy, it is one of the CDs to start out with for novices. But all things considered, The Very Best of John Coltrane can serve as a rewarding introduction to the saxman's Impulse period. Also questionable is Impulse's decision to include a previously unreleased 1962 studio performance of "Impressions," which should have been saved for a collection of rarities - this is supposed to be a best-of, after all. This CD would have been better off with "After the Rain," "Miles' Mode," or "India," none of which are included. Because Impulse didn't have access to Coltrane's famous Atlantic recordings of "My Favorite Things" and "Naima," they chose live versions from various Impulse releases - both of which are excellent, but not essential. That includes "Acknowledgement," "Bessie's Blues," and "Crescent," as well as legendary encounters with Duke Ellington ("In a Sentimental Mood") and singer Johnny Hartman ("Lush Life"). And for those who need a dose of introductory Coltrane, this release generally favors the more essential recordings that he provided for Impulse.
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The disc doesn't get into the blistering atonal free jazz he embraced from 1965-1967, which is just as well because even though much of that material is brilliant, it isn't for everyone - at least not novices and casual listeners who are exploring the saxophonist's work for the first time. The focus of this 74-minute collection is Coltrane's Impulse output - specifically, modal post-bop that he recorded from 1961-1964.
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This isn't the first CD that has had the title The Very Best of John Coltrane, and one can safely assume that it won't be the last. But Coltrane is also featured alongside Duke Ellington, partnered with his fellow reed man Eric Dolphy, and in collaboration with singer Johnny Hartman. There are of course the tracks by his classic quartet, one of the most enduring small combos in the history of jazz. This retrospective of Coltrane's work for the Impulse label shows off his many-sided genius. But for those who have yet to experience the joys of Coltrane's Atlantic period and need a course in Introductory Coltrane 101, this CD would be a very rewarding and logical starting point.ġ A Love Supreme, Pt. All of Coltrane's Atlantic output is worth owning, and most of it is truly essential. Seasoned Coltrane fans will already be familiar with these essential 19 recordings, so the person that Rhino obviously had in mind when it released this disc was the casual listener. Syms" from Coltrane Sings the Blues, "My Shining Hour" from Coltrane Jazz, and "Body and Soul" from Coltrane's Sound. Focusing on 'Trane's influential Atlantic output of the late '50s and early '60s, this CD shouldn't be confused with previous Best of John Coltrane collections from Pablo/Fantasy (Pablo 2405-417) or Atlantic (Atlantic 1541), although everything Atlantic chose for the latter can also be found on this collection, including "My Favorite Things," "Equinox," "Giant Steps," "Naima," "Cousin Mary," and "Central Park West." This CD, however, is more generous and also includes such gems as "Summertime" from My Favorite Things, "Mr. Released in 2000, The Very Best of John Coltrane is hardly the first best-of collection by the seminal saxophonist, and you can bet certain that it won't be the last. "Godfather of Soul" takes his diverse audience on a journey through five decades of chart-topping hits. Generations of fans rejoice as the undisputed Recorded with high definition equipment, James Brown's influential music, uninhibited styleĪnd energetic stage presence are captured like never before. The hardest working man in show business brings down the House of Blues with a live concert event in